Susan Graham                                                      
  Sculpture       Photography      Installation      Printmaking

EXHIBITIONS / CV

NEWS

PRESS

VIDEO CLIPS

CONTACT INFORMATION


WORKS                        

LUX ART INSTITUTE

NEW GARDENS

DISASTER FOLLOWED...

INSOMNIA


DAD'S GUN COLLECTION

BEAUTIFUL OHIO

DRIFT SUPER-8


A UNIVERSE WITHOUT...

EDITIONS

PUBLIC WORKS

WORLD TRADE CENTER









  

One  Person Shows
2016    Peculiar Flora; Azarian Mccullough Gallery, st. Thomas Acquinas College, Sparkill, NY.
           Wielding Power,
The FED Galleries at Kendall College of Art and Design, Ferris State University, Grand Rapids, MI.
2015    Studio Wallpaper; Guttenberg Arts, Guttenberg, NJ.
2012    Lux Art Institute, Encinitas, CA.
2011    New Gardens; Schroeder Romero Gallery, New York, NY.
2007    Disaster Followed Fast and Followed Faster;  Schroeder Romero Gallery, New York, NY.
2006    Beautiful Ohio;  Mixed Greens Gallery, New York, NY.
             Hudson Valley Community College, Troy, NY.
2005    Drift;  Schroeder Romero Gallery, Brooklyn, NY
2003    Dreams and Arrays;  Avram Gallery, Southampton College, Long Island
             University, Southampton, NY.
2002    New Small Works,  Schroeder Romero Gallery, Brooklyn, NY.
2001    Holly Solomon Gallery-project at Chelsea Hotel, New York, NY.
             Insomnia, Photology Gallery-Collectors Gallery , Milan, Italy
1999    Insomnia, Urban Institute for Contemporary Arts, Grand Rapids, MI.

Public Collections
Johns Hopkins Hospital (Entry-Level Adult Tower Elevator Lobby), Baltimore, MD (Commission, 2012).
Hessel Art Museum, Bard College, Annadale-On-Hudson, NY.


Selected Group Exhibitions
2016    "Bittersweet: Susan Graham, Simone Shubuck, Wendy Small"; Sears-Peyton Gallery, New York, NY.
           "New Prints 2016/Winter"; IPCNY International Print Center, New York, NY.
2015    "Barely There"; curated by Pamela Matsuda Dunn, Lesley Heller Workspace Gallery, New York, NY.
            "Di Carta/Papermade International Biennial"; Palazzo Fogazzaro, Commune di Schio Servicia Cultura, Schio,
             Vincenza, Italy.
2014  "Hooray for Hollywood (A Celebration of Holly Solomon)";  Pavel Zoubek Gallery and Mixed Greens Gallery, New York, NY.
         "Studio Intensive Program Fellows 2013" 20/20 Gallery Elizabeth Foundation for the Arts, New York, NY.
2011  "The Bank and Trust Show"; curated by Dara Myers-Kingsley, Arts Westchester/Arts Exchange, Westchester, NY.
          "Garden Paradise"; curated by Lacey Davisson Doyle, Kathryn Markel Fine Arts, Bridgehampton, NY.
          "White-Hot"; Margaret Thatcher Projects, New York, NY.
2010   "I Want Candy:  The Sweet Stuff in American Art"; curated by Bart Bland, 1911 Historic City Hall Arts and
             Cultural Center, Lake Charles, LA, traveling to Woodson Art Museum, Wausau, WI.
2009   "Trouble in Paradise: Examining Discord between Nature and Society"; Tucson Musuem of Art, Tucson, AZ.
            (Catalog).
            "I Want Candy:  The Sweet Stuff in American Art"; Fresno Metropolitan Museum, Fresno, CA, traveling to
             Nicolaysen Art Museum, Casper, WY.
            "Play It Forward"; Schroeder Romero Gallery, New York, NY.
            "A Conflicted State;" curated by Lauren Schell Dickens, ISE Cultural Foundation, New York, NY.
2008   "Future Tense:  Reshaping the Landscape"  Neuberger Museum of Art, Yonkers, NY.
            "to:Night Contemporary Representations of the Night", Hunter College Leubsdorf Gallery and Times
             Square Gallery, New York, NY, curated by Joachim Pissaro, Mara Hoberman, and Julia Moreno (Catalog).
2007   “Laced With History” exhibition in 3 parts, John Michael Kohler Arts Center, Sheboygan, WI. 
             "I Want Candy:  The Sweet Stuff in American Art"  Hudson River Museum, Yonkers, NY,
             curated by Bart Bland  (Catalog).
             "Ominous Atmosphere", Heather Marx Gallery, San Francisco, co-curated by Jeff Dauber.
             "The Gun Show:  Images of Guns in Contemporary Art,"  The Shore Institute of the Contemporary Arts,
             Long Branch, New York.
2006    “Bang Bang” , Musée International des Arts Modestes,  Sète, France
              traveling to Musée des Arts et de l'Industrie, Saint Etienne,
              France.  (Catalog)
              “National Image”  Sherman Gallery at Boston University, Boston, MA.
              “Armed”  curated by Nadine Wasserman and Rachel Seligman, Mandeville Gallery,
              Nott Memorial, Union College, Schenectady, NY. (Catalog)
2005     “Heavenly-A Slice of White” curated by Julia Jacquette and Joie Rosen, Hunter
              College Leubsdorf Gallery, New York, NY. (Catalog)
              “Monochrome Image” Elizabeth Harris Gallery, New Yrok, NY
              “High Caliber: Images of Guns in Contemporary Art”  Hunterdon Art Museum,
              Clinton, NJ.
              “Dreamscapes”  John Michael Kohler Arts Center, Sheboygan, WI.
2004      A Stereoscopic Vision”, curated by Melissa Chiu, Dumbo Arts Center, Bklyn, NY.
               War and Peace, Metaphor Contemporary Art, Brooklyn, NY.
               “Rendering Gender”, curated by Aaron Fine,Truman State University, Kirksville, MO
               “Inverted World” curated by Rachael Vaters-Carr, Artspace, New haven, CT.
               NADA Art Fair, Schroeder Romero Gallery, Miami, Florida
2003     “Sweet Tooth”curated by Sarah Tanguy, Copia,  Napa Valley, California.  (Catalog)
              “Perforations”  Mckenzie Fine Art, New York, NY.
              “Parking Lot”  Ten in One Gallery, New York, NY.
              MIART, (Photology Gallery, one person booth), Milan, Italy.
              “Fresh Meat”curated by Stephan Apicella Hitchcock, CEPA, Buffalo, New York.
              “Celestial” curated by Lesley Heller, Work Space Gallery, New York, NY.
              “Decade”  Schroeder Romero Gallery, Brooklyn, NY.
               NADA Art Fair, Schroeder Romero Gallery, Miami, Florida.
2002     Officina Americana/American Atelier, curated by Renato Barilli, Bologna, Italy.  (catalog)
              “Five by Five” curated by Shamim Momin, Whitney Museum of American Art at
               Phillip Morris, NY, NY.(catalog)
              “Toyland” curated by Sean Elwood, Alysia Duckler Gallery, Portland, Oregon.
              Armory Photo Show (Photology Gallery booth)  New York, NY.
2001     War Games, curated by Lesley Heller, Work Space Gallery, New York, NY
              The Armory Show (Holly Solomon Gallery booth), New York, NY.
              The Art Show, ADAA (Holly Solomon Gallery booth), New  York, NY.
              Stockholm Art Fair (Arena @ Feed Gallery), Stockholm, Sweden.
              Marginalia, films screening; curated by Marco Breuer, Millenium Film Workshop, New York, NY.
              How The West Won:Contemporary Visions of the American West; CMC Contemp.Fine Art, Santa Fe, NM.
              New Photography, Arena @ Feed Gallery, New York, NY.
              Picture Prone, Avram Gallery, Long Island University, Southampton, NY.
2000    Demonstrosity: Deconstructing Monsters in Contemporary Art, Tufts University
             Gallery, Boston,MA.
             Viewing World Views, World Trade Center, New York, NY.
             Meat Market Art Fair (Arena @ Feed), New York, NY.
             P.S. 122 Gallery (with Peter Gould), New York, NY.
             TROUBLE  shooting Gun Violence,  Tryon Center for Visual Arts, Charlotte, NC
             White Hot, curated by Moukhtar Kocache and Regine Basha, Smackmellon Studios, Brooklyn, NY.

Catalogs
    Di Carta/Papermade International Biennial; Palazzo Fogazzaro, Commune di Schio Servicia Cultura, Schio,
             Vincenza, Italy, 2015.

    Hooray for Hollywood (A Celebration of Holly Solomon), Mixed Greens Gallery & Pavel Zoubok Gallery, New York, NY, 2014.
   
The Bank and Trust Show; WestchesterArts, Westchester, NY., 2011.
    Trouble in Paradise: Examining Discord between Nature and Society; Tucson Musuem of Art, Tucson, AZ., 2009.
   
to:Night Contemporary Representations of the Night; essays by Joachim Pissaro, Tracy Adler, Mara Hoberman,
             and Julia Moreno, Hunter College Galleries, New York, NY.  2008.
    I Want Candy:  The Sweet Stuff in American Art; Hudson River Museum, Yonkers, NY. 2007.
    Armed, essays by Derek Pardue and Nadine Wasserman, Mandeville Gallery, Union
             College, Schenectady, NY.  2006.
    Bang Bang; Musée International des Arts Modestes,  Sète And Musée des Arts et
              de l'Industrie, Saint Etienne, France.  2006.
    Heavenly-orA Slice of White;  essays by Julia Jacquette and Joie Rosen, Hunter
              College Leubsdorf Gallery, New York, NY. 2005.
    Dreams and Arrays;  essay by Edward M. Gomez;  Avram Gallery, Southampton
              College,  2003.
    Sweet Tooth;  essays by Sarah Tanguy, Copia, 2003.
    Five by Five:Contemporary Artists on Contemporary Art; interviews by  Shamim
              Momin., Whitney Museum of American Art at Phillip Morris, 2002.
    Officina America, ReteEmiliaRomagna;  Essay by Renato Barilli.  Galleria d’Arte
              Moderna, Bologna.   2002.
     Artist in the Marketplace Fifteenth Annual Exhibition;essay by Marysol Nieves
              and Lydia Yee. The Bronx Museum of the Arts, 1995.

Education
1986-87      Chemistry, The Ohio State University, Columbus, OH.
1987-90    B.F.A. Sculpture, The Ohio State University, Columbus, OH.
1991-92      School of Visual Arts, New York, NY.


Grants and Awards
2015    Space and Time Artists Residency, Guttenberg Arts, NJ.
2014    Grant Recipient-Sustainable Arts Foundatio
2013    SIP Artists Residency, Blackburn Printmaking Studio, Elizabeth Foundation, NY, NY.
2011    Studio Residency, Smack Mellon Studios, Brooklyn, New York
2003    Fellowship Recipient-New York  Foundation for the Arts
2001    Pollock-Krasner Foundation, Sculpture Grant
2000    World Views” Lower Manhattan Cultural Council, World Trade Center Residency.
1999    Fellowship Recipient, Sculpture-New York Foundation for the Arts
             Grant Recipient-Ruth Chenven Foundation

Selected Publications
 
“Holly Solomon: For a Pop-Era Icon, an Extended 15 Minutes of Fame,” Edward Gomez, HYPERALLERGIC, February 1, 2014.

·           Susan Graham: Artist Uses Porcelain, Sugar to Make Industrial Goods Seem Dainty”,

Lillian Cox, EncinitasPatch, October 12, 2012.

·         Susan Graham residency at Lux has memorable outcome”, James Chute, U-T San

Diego, October 12, 2012.

·         An Interview with Susan Graham”, Robin Tung, DAILYSERVING, October 12, 2012.

·         “Dark and Light Combine in Brooklyn Sculptor’s Work at Lux”, Patricia Morris

Buckley, North County Times, October 2, 2012.

·         “Sweet and Scary at Lux Art Institute”, James Chute, U-T San Diego, October 2, 2012.

  
"When Bad is Good", Claire Lieberman, Art Experience, New York City, Summer, 2011, Vol. 1 No.3.
   "Brooklyn Local", Emily Nathan, Artnet.com, January 2011.
    “Starry, Starry Night”,  John Everett Daquino, ArtSlant, October 26, 2008.http://www.artslant.com/ny/articles/show/2603
    “Sweet Seduction in Varied Forms”, John Goodrich, New York Sun, August 2, 2007.
           http://www.nysun.com/arts/sweet-seduction-in-varied-forms/59659/
    “’Armed’” exhibit explores additudes toward weapons with grim, humorous works”, Karen Bjornland, The Daily Gazette,
          January 18, 2007. http://www.union.edu/N/DS/s.php?s=6884
    “Power from the People”, Cate McQuaid, Reviews, The Boston Globe, November  23. 2006
    “A Stereoscopic Vision”, Lauren Cornell,  reviews, Time Out New York, September 2-9, 2004.
    “Dateline Brooklyn” A stereoscopic Vision, Artnet.com, Stephen Maine, Aug. 2004.
     Üp in Arms”, Judith Page,  reviews, Sculpture Magazine,  Jan/Feb 2004.
    “Dotty” Artnet.com, N.F. Karlins, July 7, 2003.
    “Up in Arms” The New York Times, Holland Cotter, March 21, 2003.
     “Woke Up This Morning, Got Myself a Gun” James Kalm, NY Arts Magazine, 2003.
     “Susan Graham and Julianne Swartz” “reviews, Sculpture magazine, Jan/Feb  2003
     “Sweet Tooth Lets Artists Play with Their Food” The Sacramento Bee,Patricia Beach Smith,  Feb. 23,  2003.
     “The Power and Glory of Sisterhood, Past and Present” The New York Times, Edward M. Gomez, Oct. 13, 2002.
     “Sci-Fi and Gardens”  The Brooklyn Rail, William Powhida, Autumn 2002.
     Art in Review “Five By Five” The New York Times, Grace Glueck, June 14, 2002.
      “News and Around-Officina America” Tema Celeste 89, pp. 119, Jan/Feb 2002. (photo)
     “Immagini che turbano le notti, “  Corriere Della Sera ed. Milano, Sept. 19, pp. 59, 2001.(photo)
    “Photology:  Dreams on Show.”  Modo  via sannio 24/30 n. 215, pp. 25.(photo)
     “Fotografia/Dolce sonno” IO Donna, distribuito com Corriere Della Sera, no.37 15  Sept 2001.
    “Viaggio Tra I Colori”  Avvenire, n.271, 15 Nov 2001.
    “The Aesthetic Bounty of Night and Day,” The New York Times, Helen A. Harrison, August 19, 2001.
    “Perspectives” The Southhampton Press, Darius Yektal, August 2, 2001.   
     “Works of Containment an Color”, The East Hampton Star, Robert Long, July 19, 2001.(photo)
     “Susan Graham &Kim MacConnel” The Village Voice Chioces Art listing. Kim Levin.  April 24, 2001.
     “Knaapt vart en massa,”Kulturredaktionen, Goteborgs-Posten, Gunilla Grahn-Hinnfors, Mars, 2001.(photo)
    “Reviews, Susan Graham/James Cullinane,” NY Arts Magazine, March 2000.(photo)