One Person Shows and Installations
2022-2023 Insomnia/Obscura; installed at Century
House Historical Society, Rosendale NY as part of “CHHS Projects:
An/Aesthetics.”
2016
Peculiar Flora; Azarian Mccullough Gallery, St. Thomas Acquinas
College, Sparkill, NY.
Wielding Power, The FED Galleries at Kendall College of Art and Design, Ferris State University, Grand Rapids, MI.
2015 Studio Wallpaper; Guttenberg Arts, Guttenberg, NJ.
2012
Lux Art Institute,
Encinitas, CA.
2011
New Gardens; Schroeder
Romero Gallery, New
York, NY.
2007
Disaster Followed Fast
and Followed
Faster; Schroeder
Romero Gallery, New
York, NY.
2006
Beautiful Ohio;
Mixed Greens Gallery,
New York, NY.
Hudson Valley Community College, Troy, NY.
2005
Drift; Schroeder
Romero Gallery,
Brooklyn, NY
2003
Dreams and Arrays;
Avram Gallery,
Southampton College,
Long Island University,
Southampton, NY.
2002
New Small Works,
Schroeder Romero
Gallery, Brooklyn, NY.
A Universe Without Edges; as part of Five by Five; curated by Shamim
Momin, Whitney Museum of American Art at Phillip
Morris, NY, NY.(catalog)
2001 Holly Solomon
Gallery-project at
Chelsea Hotel, New York,
NY.
Insomnia, Photology Gallery-Collectors Gallery , Milan, Italy
1999 Insomnia, Urban
Institute for
Contemporary Arts, Grand
Rapids, MI.
Public Commissions
Johns Hopkins Hospital (Fourth Floor Adult Tower Elevator Lobby),
Baltimore, MD
(Commission, Nancy Rosen Inc./Allan Kolkowitz/Bloomberg
Philanthropies project).
Collections Marieluise Hessel Collection-Hessel Museum of Art
The Progressive Corporation Art Collection
The Schio Municipal Art Collection, Schio, Italy
Fidelity Investments Art Collection
Johns Hopkins Hospital Art Collection
The Montefiore Fine Art Program and Collection
The West Collection
Various private collections
Selected Group
Exhibitions
2022 The Container Garden; curated by Sarah Moore; Sears-Peyton Gallery, New York, NY.
2021 Spring Selections; Sears-Peyton Gallery, New York, NY.
2020 "Material/Fiber"; curated by R. Darden Bradshaw, Radial Gallery, University of Dayton, Dayton, OH.
"Visionaries-AMAG 20 Years"; Azarian Mccullough Gallery, St. Thomas
Acquinas College, Sparkill, NY.
2018 "Line of Sight. Lethal Design."
MUDAC-Musée de design et d'arts appliqués contemporains, Lausanne,
Switzerland.
2017 "Light in the Dark" curated by Karin Schaefer: Sears-Peyton Gallery, New York, NY.
"The
Expanding Matrix" curated by Fred Fleischer; Amelie A. Wallace
Gallery-SUNY Old Westbury, NY.
"Crafting
Resistance"; Visual Arts Center at Boise State University, Boise, ID.
2016 "Up In Arms: Taking Stock Of Guns"; Brattleboro Museum, Brattleboro,VT.
"Bittersweet: Susan Graham, Simone Shubuck, Wendy Small"; Sears-Peyton
Gallery, New York, NY.
"New
Prints 2016"; Soeffker Gallery at Hamline University, St. Paul, MN.
"Girls and
Guns-Nancy Floyd, Susan Graham, Felice House"; Rosemary Duffy Larson
Gallery, Broward College, Davie, FL.
"New
Prints 2016/Winter"; IPCNY International Print Center, New York, NY.
2015 "Barely There"; curated by Pamela Matsuda Dunn, Lesley Heller Workspace Gallery, New York, NY.
"Di
Carta/Papermade International Biennial"; Palazzo Fogazzaro, Commune di
Schio Servicia Cultura, Schio,
Vincenza, Italy.
2014 "Hooray for Hollywood (A Celebration of Holly
Solomon)"; Pavel Zoubek Gallery and Mixed Greens Gallery, New
York, NY.
"Studio Intensive
Program Fellows 2013" 20/20 Gallery Elizabeth Foundation for the Arts,
New York, NY.
2011 "The
Bank and Trust Show";
curated by Dara
Myers-Kingsley, Arts
Westchester/Arts
Exchange, Westchester,
NY.
"Garden Paradise";
curated by Lacey
Davisson Doyle, Kathryn
Markel Fine Arts,
Bridgehampton, NY.
"White-Hot"; Margaret
Thatcher Projects, New
York, NY.
2010 "I Want
Candy: The Sweet
Stuff in American Art";
curated by Bart Bland,
1911 Historic City Hall
Arts and
Cultural Center, Lake Charles, LA, traveling to Woodson Art Museum,
Wausau, WI.
2009
"Trouble in Paradise:
Examining Discord
between Nature and
Society"; Tucson Musuem
of Art, Tucson, AZ.
(Catalog).
"I Want
Candy: The Sweet Stuff in American Art"; Fresno Metropolitan
Museum, Fresno, CA, traveling to
Nicolaysen Art Museum, Casper, WY.
"Play
It Forward"; Schroeder
Romero Gallery, New
York, NY.
"A
Conflicted State;" curated by Lauren Schell Dickens, ISE Cultural
Foundation, New York, NY.
2008
"Future Tense:
Reshaping the
Landscape"
Neuberger Museum of Art,
Yonkers, NY.
"to:Night
Contemporary
Representations of the
Night", Hunter College
Leubsdorf Gallery and
Times
Square Gallery, New York, NY, curated by Joachim Pissaro, Mara
Hoberman, and Julia Moreno (Catalog).
2007 “Laced
With History” exhibition
in 3 parts, John Michael
Kohler Arts Center,
Sheboygan, WI.
"I
Want Candy: The
Sweet Stuff in American
Art" Hudson River
Museum, Yonkers, NY,
curated by Bart Bland (Catalog).
"Ominous
Atmosphere", Heather
Marx Gallery, San
Francisco, co-curated by
Jeff Dauber.
"The
Gun Show: Images
of Guns in Contemporary
Art," The Shore
Institute of the
Contemporary Arts,
Long Branch, New York.
2006
“Bang Bang” ,
Musée
International des Arts
Modestes,
Sète, France traveling
to Musée des Arts
et de
l'Industrie, Saint
Etienne, France.
(Catalog)
“National
Image” Sherman
Gallery at Boston
University, Boston, MA.
“Armed”
curated by Nadine
Wasserman and Rachel
Seligman, Mandeville
Gallery,
Nott Memorial, Union College, Schenectady, NY. (Catalog)
2005
“Heavenly-A Slice of
White” curated by Julia
Jacquette and Joie
Rosen, Hunter College
Leubsdorf Gallery,
New
York, NY. (Catalog)
“Monochrome
Image” Elizabeth Harris
Gallery, New Yrok, NY
“High
Caliber: Images of Guns
in Contemporary
Art” Hunterdon Art
Museum, Clinton,
NJ.
“Dreamscapes” John
Michael Kohler Arts
Center, Sheboygan, WI.
2004 "A Stereoscopic Vision”,
curated by Melissa Chiu,
Dumbo Arts Center,
Bklyn, NY.
"War and Peace", Metaphor Contemporary Art, Brooklyn, NY.
“Rendering Gender”, curated by Aaron Fine,Truman State University,
Kirksville, MO
“Inverted World” curated by Rachael Vaters-Carr, Artspace, New haven,
CT.
2003
“Sweet Tooth”curated by
Sarah Tanguy,
Copia, Napa
Valley,
California.
(Catalog)
“Perforations” Mckenzie Fine Art, New York, NY.
“Parking
Lot” Ten in One
Gallery, New York, NY.
"MIART",
(Photology Gallery, one
person booth), Milan,
Italy.
“Fresh
Meat”curated by Stephan
Apicella Hitchcock,
CEPA, Buffalo, New York.
“Celestial”
curated by Lesley
Heller, Work Space
Gallery, New York, NY.
“Decade” Schroeder Romero Gallery, Brooklyn, NY.
NADA Art Fair, Schroeder Romero Gallery, Miami, Florida.
2002
"Officina
Americana/American
Atelier", curated by
Renato Barilli, Bologna,
Italy. (catalog)
“Toyland”
curated by Sean Elwood,
Alysia Duckler Gallery,
Portland, Oregon.
Armory
Photo Show (Photology
Gallery booth) New
York, NY.
2001
"War Games", curated by
Lesley Heller, Work
Space Gallery, New York,
NY
The
Armory Show (Holly
Solomon Gallery booth),
New York, NY.
The
Art Show, ADAA (Holly Solomon Gallery booth), New York, NY.
Stockholm
Art Fair (Arena @ Feed
Gallery), Stockholm,
Sweden.
"Marginalia",
films screening; curated
by Marco Breuer,
Millenium Film Workshop,
New York, NY.
"How
The West
Won:Contemporary Visions
of the American West";
CMC Contemp.Fine Art,
Santa Fe, NM.
"New
Photography", Arena @
Feed Gallery, New York,
NY.
"Picture
Prone", Avram Gallery,
Long Island University,
Southampton, NY.
2000
"Demonstrosity:
Deconstructing Monsters
in Contemporary Art",
Tufts University Gallery,
Boston,MA.
Viewing
World Views, World Trade
Center, New York, NY.
Meat
Market Art Fair (Arena @
Feed), New York, NY.
P.S.
122 Gallery (with Peter
Gould), New York, NY.
TROUBLE
shooting Gun
Violence, Tryon
Center for Visual Arts,
Charlotte, NC
White
Hot, curated by Moukhtar
Kocache and Regine
Basha, Smackmellon
Studios, Brooklyn, NY.
Books and Catalogs
Loaded: Guns in Contemporary Art; Suzanne Ramljak, Schiffer Publishing, Ltd., 2022.
LIGNE De MIRE--MUDAC (book); Infolio (August 16, 2018).
Ligne De Mire (exhibition catalog); MUDAC, Musee' De Design et D'arts Contemporains, Lausanne, Switzerland, 2018.
Di Carta/Papermade International Biennial; Palazzo Fogazzaro, Commune di Schio Servicia Cultura, Schio,
Vincenza, Italy, 2015.
Hooray for Hollywood (A Celebration of Holly Solomon), Mixed Greens Gallery & Pavel Zoubok Gallery, New York, NY, 2014.
The Bank and
Trust Show;
WestchesterArts,
Westchester, NY., 2011.
Trouble in
Paradise: Examining
Discord between Nature
and Society;
Tucson Musuem of Art,
Tucson, AZ., 2009.
to:Night
Contemporary
Representations of the
Night; essays
by Joachim Pissaro,
Tracy Adler, Mara
Hoberman,
and
Julia Moreno, Hunter
College Galleries, New
York, NY. 2008.
I Want
Candy: The Sweet
Stuff in American Art;
Hudson River Museum,
Yonkers, NY. 2007.
Armed,
essays by Derek Pardue
and Nadine Wasserman,
Mandeville Gallery,
Union
College,
Schenectady, NY.
2006.
Bang Bang;
Musée
International des Arts
Modestes,
Sète And
Musée des Arts et
de
l'Industrie, Saint
Etienne, France.
2006.
Heavenly-orA
Slice of White;
essays by Julia
Jacquette and Joie
Rosen, Hunter
College
Leubsdorf Gallery, New
York, NY. 2005.
Dreams and
Arrays;
essay by Edward M.
Gomez; Avram
Gallery, Southampton
College,
2003.
Sweet Tooth;
essays by Sarah Tanguy,
Copia, 2003.
Five by
Five:Contemporary
Artists on
Contemporary Art;
interviews by
Shamim
Momin.,
Whitney Museum of
American Art at Phillip
Morris, 2002.
Officina
America,
ReteEmiliaRomagna;
Essay by Renato
Barilli. Galleria
d’Arte
Moderna,
Bologna.
2002.
Artist in the
Marketplace Fifteenth
Annual Exhibition;essay
by Marysol Nieves
and
Lydia Yee. The Bronx
Museum of the Arts,
1995.
Grants and
Awards
2019 Hortus Arboretum Artist Residency, Stone Ridge, NY.
2015 Space and Time Artists Residency, Guttenberg Arts, NJ.
2014 Grant Recipient-Sustainable Arts Foundation
2013 SIP Artists Residency, Blackburn Printmaking Studio, Elizabeth Foundation, NY, NY.
2011
Studio Residency, Smack
Mellon Studios,
Brooklyn, New York
2003
Fellowship Recipient-New
York Foundation
for the Arts
2001
Pollock-Krasner
Foundation, Sculpture
Grant
2000
World Views” Lower
Manhattan Cultural
Council, World Trade
Center Residency.
1999
Fellowship Recipient,
Sculpture-New York
Foundation for the Arts
Grant
Recipient-Ruth Chenven
Foundation
Selected
Publications
·
·
"Is Art Really Just a Luxury? New England Artists Respond to the
Political Moment", Christopher Cappozzola, Art New England,
September/October 2016.
"ArtBeat: Beyond the art on the wall-Brattleboro Art Museum presents Up in Arms: Taking stock of Guns", Trish Crapo, Greenfield
Recorder, September 14, 2016.
"Holly Solomon: for a Pop-Era Icon, and Extended 15 Minutes of Fame", Edward Gomex, HYPERALLERGIC, February 1, 2014.
"Susan Graham Residency At Lux Has Memorable Outcome", James Chute, Union-Tribune San Diego, October 12, 2012.
"Susan Graham: Artist Uses Porcelain, Sugar
to Make Industrial Goods Seem Dainty," Lillian Cox, EncinitasPatch,
October 12, 1012.
"An Interview with Susan Graham", Robin Tung, DAILEYSERVING, October 12, 2012.
"Dark and Light Combine in Brooklyn Sculptor's Work at LUX", Patricia Morris Buckley, North County Times, October 2, 2012.
"Sweet and Scary at Lux Art Institute", James Chute, Union-Tribune San Diego, October 2, 2012.
"When Bad
is Good", Claire
Lieberman, Art
Experience, New York
City, Summer, 2011, Vol.
1 No.3.
"Brooklyn
Local", Emily Nathan,
Artnet.com, January
2011.
“Starry, Starry
Night”, John
Everett Daquino,
ArtSlant, October 26,
2008.http://www.artslant.com/ny/articles/show/2603
“Sweet Seduction in
Varied Forms”, John
Goodrich, New York Sun,
August 2, 2007.
http://www.nysun.com/arts/sweet-seduction-in-varied-forms/59659/
“’Armed’” exhibit
explores additudes
toward weapons with
grim, humorous works”,
Karen Bjornland, The
Daily Gazette,
January 18, 2007.
http://www.union.edu/N/DS/s.php?s=6884
“Power from the People”,
Cate McQuaid, Reviews,
The Boston Globe,
November 23. 2006
“A
Stereoscopic Vision”,
Lauren Cornell,
reviews, Time Out New
York, September 2-9,
2004.
“Dateline Brooklyn” A
stereoscopic Vision,
Artnet.com, Stephen
Maine, Aug. 2004.
Üp in Arms”, Judith
Page, reviews,
Sculpture
Magazine, Jan/Feb
2004.
“Dotty” Artnet.com, N.F.
Karlins, July 7, 2003.
“Up
in Arms” The New York
Times, Holland Cotter,
March 21, 2003.
“Woke Up This Morning,
Got Myself a Gun” James
Kalm, NY Arts Magazine,
2003.
“Susan Graham and
Julianne Swartz”
“reviews, Sculpture
magazine, Jan/Feb
2003
“Sweet Tooth Lets
Artists Play with Their
Food” The Sacramento
Bee,Patricia Beach
Smith, Feb.
23, 2003.
“The Power and Glory of
Sisterhood, Past and
Present” The New York
Times, Edward M. Gomez,
Oct. 13, 2002.
“Sci-Fi and
Gardens” The
Brooklyn Rail, William
Powhida, Autumn 2002.
Art in Review “Five By
Five” The New York
Times, Grace Glueck,
June 14, 2002.
“News and
Around-Officina America”
Tema Celeste 89, pp.
119, Jan/Feb 2002.
(photo)
“Immagini che turbano le
notti, “ Corriere
Della Sera ed. Milano,
Sept. 19, pp. 59,
2001.(photo)
“Photology: Dreams
on Show.”
Modo via sannio
24/30 n. 215, pp.
25.(photo)
“Fotografia/Dolce sonno”
IO Donna, distribuito
com Corriere Della Sera,
no.37 15 Sept
2001.
“Viaggio Tra I
Colori” Avvenire,
n.271, 15 Nov 2001.
“The
Aesthetic Bounty of
Night and Day,” The New
York Times, Helen A.
Harrison, August 19,
2001.
“Perspectives” The
Southhampton Press,
Darius Yektal, August 2,
2001.
“Works of Containment an
Color”, The East Hampton
Star, Robert Long, July
19, 2001.(photo)
“Susan Graham &Kim
MacConnel” The Village
Voice Chioces Art
listing. Kim
Levin. April 24,
2001.
“Knaapt vart en
massa,”Kulturredaktionen,
Goteborgs-Posten,
Gunilla Grahn-Hinnfors,
Mars, 2001.(photo)
“Reviews, Susan
Graham/James Cullinane,”
NY Arts Magazine, March
2000.(photo)
Education
B.F.A. Sculpture, The Ohio State University, Columbus, OH.

|
|
|
|